Three Kingdoms Period Stacked and Sculpted Granary Jar with Acrobatic Performances and Flying Birds
[Museum-grade Collection · A Three-dimensional History Book of Eastern Civilization]
Product Overview
This granary jar is a typical funerary object from the Three Kingdoms period. It is hand – shaped from traditional clay and fired at high temperature. The body of the jar features an exquisite stacked and sculpted technique, depicting scenes of acrobatic performances and images of flying birds and auspicious beasts. The jar has a plump and thick body, and its glaze shows a natural blue – brown color with a mellow texture that exudes a sense of historical precipitation. As an important burial object in the tombs of nobles from the Eastern Han to the Three Kingdoms period, this jar is not only a pinnacle of the handicraft of that time but also a precious physical material for studying the social culture, burial system, and aesthetic concepts of the Wei and Jin dynasties. It holds extremely high historical and art collection value.
Craft Features
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Stacked and Sculpted Technique: The surface of the jar adopts a three – layer three – dimensional stacking and sculpting. Dragon patterns coil around the main body, with clearly distinguishable scales. The flying birds seem to be about to spread their wings and take off, and the acrobatic figures are vivid in their postures. The layers are distinct, with a strong sense of three – dimensionality, demonstrating the mature techniques of pottery sculpture art in the Three Kingdoms period.
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Vessel Design: The upper part is a plate – shaped granary roof, and the lower part is a round and drum – shaped jar body with stable feet at the bottom. The entire vessel is ingeniously conceived, perfectly combining practical functions with decorative art, reflecting the burial concept of “treating the dead as if they were alive”.
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Natural Glaze Color: Due to long – term burial, the clay body has formed unique soil inclusions and oxidation spots. The glaze surface is mellow, with uneven color shades, presenting an ancient and elegant sense of time, which cannot be replicated by modern imitations.
Historical and Cultural Background
The granary jar, also known as the “soul jar”, first appeared in the Eastern Han Dynasty and was popular in the Wu region during the Three Kingdoms period. It is a funerary object that mimics the granaries in real life, symbolizing the material abundance of the deceased in the afterlife. The acrobatic scenes (such as acrobatics and music and dance) stacked and sculpted on the jar reflect the prosperous cultural life of the society during the Three Kingdoms period, while the flying birds and auspicious beasts embody the people’s prayers for good luck and their beautiful yearning for the afterlife at that time. Such artifacts have always been the focus of museum collections and are extremely rare in private collections.
Collection Value
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Scarcity: There are very few intact granary jars with complex stacked and sculpted patterns from the Three Kingdoms period. This jar has an intact shape and clear patterns, making it a standout among similar collections.
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Academic Value: It provides valuable physical evidence for studying the pottery – sculpting techniques, burial customs, and social culture of the Wei and Jin dynasties.
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Heritage Significance: As an artistic crystallization of ancient Eastern civilization, this jar carries the genes of China’s early sculpture art and is an important carrier for cross – cultural collection and cultural dissemination.
Precautions
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This product is an ancient cultural relic, and it retains its original unearthed state. Minor peeling and soil inclusions are normal phenomena and not quality issues.
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It is recommended to display it in a dry and ventilated environment, avoiding strong vibrations and direct sunlight.
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It comes with a professional cultural relic storage box for easy collection and protection.
With its exquisite craftsmanship, rich cultural connotations, and scarcity, this granary jar has become a museum – grade treasure that is eagerly sought after by seasoned collectors and cultural institutions, adding a profound Eastern historical charm to your collection system.
三國時期堆塑百戲飛鳥谷倉罐
【博物館級珍藏 · 東方文明的立體史書】
產品概述
此件谷倉罐為三國時期典型明器，採用傳統陶土手工塑形，經高溫燒制而成。罐身以精湛堆塑工藝塑造百戲雜耍場景與飛鳥瑞獸圖像，器型飽滿渾厚，釉色呈現自然的青褐色，帶有歲月沉澱的溫潤質感。作為東漢至三國時期貴族墓葬中的重要陪葬品，此罐不僅是當時手工藝的巔峰之作，更是研究魏晉社會文化、喪葬制度與審美觀念的珍貴實物資料，具有極高的歷史價值與藝術收藏價值。
工藝特點
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堆塑技藝：罐體表面採用三層立體堆塑，龍紋盤繞主體，鱗片清晰可辨，飛鳥展翅欲飛，百戲人物動態生動，層次分明，立體感極強，展現三國時期陶塑藝術的成熟技法。
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器型設計：上部為盤口狀倉頂，下部為圓鼓形罐身，底足穩固。整器構思巧妙，將實用功能與裝飾藝術完美結合，體現「事死如事生」的喪葬觀念。
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自然釉色：胎土經長期埋藏形成獨特的土沁與氧化斑，釉面溫潤，色澤深淺不一，呈現古樸典雅的時光質感，非現代仿品所能複製。
歷史文化背景
谷倉罐又稱「魂瓶」，始見於東漢，盛行於三國吳地區，是模擬現實生活中糧倉的明器，象徵逝者在另一世界的物質豐饒。罐上堆塑的百戲場景（雜技、樂舞等）反映了三國時期社會繁榮的文化生活，飛鳥瑞獸則體現當時人們對祥瑞的祈求與對來世的美好嚮往。此類器物向為博物館收藏重點，民間流傳極為稀少。
收藏價值
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稀缺性：三國時期完整帶有複雜堆塑紋飾的谷倉罐存世量極少，此件器型完整，紋飾清晰，屬同類藏品中的佼佼者。
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學術價值：為研究魏晉陶塑工藝、喪葬習俗與社會文化提供了寶貴實物佐證。
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傳世意義：作為東方古代文明的藝術結晶，此罐承載著中國早期雕塑藝術的基因，是跨文化收藏與文化傳播的重要載體。
注意事項
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本品為古代文物，表面保留原始出土狀態，微小剝落、土沁屬正常現象，非質量問題。
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建議置於乾燥、通風環境中展示，避免劇烈震動與陽光直射。
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附專業文物收納盒，便於珍藏與保護。
此件谷倉罐以其精湛工藝、豐富文化內涵與稀缺性，成為資深收藏家與文化機構爭相典藏的博物館級珍品，為您的收藏體系注入濃厚的東方歷史底蘊。
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