Yuan Dynasty Jun Kiln Double – Handled Jar | A Classic of Oriental Ceramic Art
[Overview of the Collection]
This is a classic double – handled jar from the Jun Kiln of the Yuan Dynasty, a representative piece of the “Jun Kiln”, one of the five famous ancient kilns in China. The jar has a round and drum – shaped body with a wide mouth rim and a plump belly. There are symmetrically placed ring – shaped handles on both sides. The body is made of firm and solid porcelain. The glaze color presents the unique spectacle of the Jun Kiln, “one color when entering the kiln, a myriad of colors when leaving the kiln”. With a sky – blue base and interspersed with purplish – red kiln – change patches, it resembles a sunset glow reflecting on the blue sky, natural and seamless without any trace of artificial carving. The entire vessel is covered with fine ice – crackle patterns, adding a touch of antique charm. It is a perfect combination of the Jun porcelain craftsmanship and aesthetic taste of the Yuan Dynasty, possessing both practical value and artistic collection value.
[Analysis of Materials and Craftsmanship]
1. Characteristics of the Body and Glaze
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Body Material: It is made from northern kaolin. The body color is gray – brown, and the texture is dense and hard. Fine sand holes can be seen on the exposed parts of the body, which are typical features of the “incense – ash body” of the Jun Kiln of the Yuan Dynasty.
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Glaze Material: Copper oxide is used as the colorant. After being fired in a reducing flame at a high temperature above 1300°C, the glaze layer is thick, moist like fat, and highly fluid. The blue part of the glaze is like deep – sea emerald, while the purplish – red patches are like dancing flames. The color transition is natural, embodying the unique charm of the Jun Kiln, “unpredictable kiln – change, a work of divine craftsmanship”.
2. Firing Process
It follows the ancient “two – step firing” technique: first, the body is biscuit – fired to take shape, and then it is glazed and fired again in the kiln. The subtle changes in temperature and atmosphere inside the kiln cause copper ions to present a multi – color blend of red, purple, and blue in a reducing environment. Each piece is a unique work of art, hence the saying “no two Jun porcelains are the same, and no two kiln – changes are identical”.
[Design Details and Artistic Value]
1. Design of the Vessel Shape
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Ingenious Design of the Handles: The ring – shaped handles on both sides of the jar are full and round, integrating seamlessly with the body. They are not only convenient for carrying (in ancient times, it was often used for storing water, wine, or sundries) but also create a symmetrical and balanced visual aesthetic, reflecting the traditional Chinese design concept of “the unity of practicality and aesthetics”.
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Smooth Lines: The flared mouth rim and the round belly form soft curves, and the bottom is stable on the ground. The overall proportion of the vessel is well – coordinated, showing the era style of Yuan Dynasty vessels, “thick, full, and grand”.
2. Glaze Color and Crackle Patterns
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Beauty of Kiln – Change: The blue glaze is like a clear blue sky, and the purplish – red patches are like a rolling rosy cloud. The edges of the color patches are naturally blurred without obvious boundaries, resembling the charm of natural landscapes and embodying the “beauty of artistic conception” in traditional Chinese aesthetics.
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Ice – Crackle Patterns: The glaze surface is covered with fine crackle patterns of varying depths, resembling ice cracks. It feels smooth to the touch but shows a sense of layering, adding an antique texture of time – honored precipitation to the vessel. It is a classic manifestation of the “beauty of imperfection” in Jun porcelain.
[Historical Background and Cultural Connotations]
The Jun Kiln started firing in the Tang Dynasty, reached its peak in the Song Dynasty, and continued its firing tradition in the Yuan Dynasty with large – scale production. As a high – quality folk – kiln piece of the Jun Kiln from the Yuan Dynasty, this jar inherits the essence of the Song – Dynasty Jun porcelain craftsmanship and incorporates the bold and unrestrained aesthetic characteristics of the Yuan Dynasty. It is an important physical material for studying the history of Chinese ceramics, the social life, and the development of handicrafts in the Yuan Dynasty. The shape of the double – handled jar originated from practical folk utensils, but due to the unique glaze – color craftsmanship of the Jun Kiln, it has been elevated from a “daily – use vessel” to an “artistic treasure”, witnessing the wisdom of ancient Chinese craftsmen in perfectly combining practical technology with aesthetic pursuit.
[Collection Value and Display Suggestions]
1.Collection Value
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Rarity: The number of Yuan Dynasty Jun Kiln vessels that have survived to the present is limited. This well – preserved double – handled jar with bright glaze color and natural kiln – change is a top – notch piece among similar collections.
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Artistry: As a model of the “kiln – change art” in Oriental ceramics, its color changes and line beauty are irreproducible, vividly reflecting the concept of “naturalness” in the Oriental aesthetic system.
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Inheritance Significance: It carries the genetic code of Chinese ceramic culture for thousands of years. It is suitable for seasoned collectors, lovers of Oriental art, or museum – level collections, possessing research, appreciation, and investment value.
2.Display and Maintenance
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Display Suggestions: It can be the centerpiece of display in a study or living room. Paired with a log base or a velvet display stand, it can highlight its antique and elegant charm. It can also be displayed in combination with celadon from the Song Dynasty and blue – and – white porcelain from the Yuan Dynasty to create an Oriental classical art atmosphere.
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Maintenance Notes: Avoid severe collisions to prevent glaze abrasion. Place it in a dry and well – ventilated area, away from direct sunlight or a humid environment. When cleaning, gently wipe it with a soft cloth and do not use chemical cleaners.
[Why Choose This Product]
This Yuan Dynasty Jun Kiln double – handled jar is not just an antique but a living history of Chinese ceramics. It carries the elegance of the Song Dynasty, the boldness of the Yuan Dynasty, and the infinite pursuit of “natural beauty” by the Jun Kiln craftsmen. Every kiln – change patch and every crackle pattern is a dialogue between fire and earth eight hundred years ago, and a unique aesthetic code of Oriental civilization. For collectors who truly understand and appreciate Oriental art, it is a cultural envoy across time and space and an eternal artistic treasure.
Note: This is an antique – grade collection. The crackle patterns and kiln – changes on the glaze are naturally formed, and individual differences are normal. The detailed size and appearance are subject to the actual item.
元鈞窯雙系罐｜宋代五大名窯傳世珍寶｜東方陶瓷藝術經典
【藏品概述】
本品為元代鈞窯經典雙系罐，屬中國古代五大名窯之一「鈞窯」的代表性器物。罐身呈圓鼓形，口沿寬展，腹部渾圓，雙側對稱設置環形繫耳，胎質堅實，釉色呈現鈞窯特有的「入窯一色，出窯萬彩」之奇觀——以天青為底，間雜紫紅色窯變斑塊，宛如晚霞映藍天，自然渾成，無人工雕琢之痕。器物通體佈滿細密冰裂開片，更添古樸韻致，是元代鈞瓷工藝與審美趣味的完美結合，兼具實用價值與藝術收藏價值。
【材質與工藝解析】
1. 胎釉特徵
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胎質：採用北方高嶺土為原料，胎色呈灰褐色，質地緊密堅硬，露胎處可見細密砂眼，為典型元代鈞窯「香灰胎」特徵。
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釉料：以氧化銅為呈色劑，經1300℃以上高溫還原焰燒製，釉層厚潤如脂，流動感強。藍釉部分如深海凝翠，紫紅斑塊似火焰跳躍，色彩過渡自然，體現鈞窯「窯變無常，巧奪天工」的獨特魅力。
2. 燒制工藝
遵循古法「二次燒成」技術：先素燒胎體定型，再施釉入窯複燒。窯爐內溫度與氣氛的微妙變化，使銅離子在還原環境下呈現紅、紫、藍等多色交融，每一件均為獨一無二的藝術品，故有「鈞瓷無對，窯變無雙」之說。
【設計細節與藝術價值】
1. 器型設計
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雙系巧思：罐身兩側環形繫耳，造型飽滿圓潤，與器身渾然一體，既便於提攜（古時多用於盛儲水、酒或雜物），又形成對稱平衡的視覺美感，體現「實用與審美合一」的中國傳統設計理念。
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線條流暢：口沿外撇與腹部圓鼓形成柔軟曲線，底部平穩接地，整器比例協調，展現元代器物「渾厚飽滿，雄渾大氣」的時代風格。
2. 釉色與開片
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窯變之美：藍釉如晴空萬里，紫紅斑塊似赤霞漫卷，色塊邊緣暈染自然，無明顯界線，猶如自然山水之氣韻，體現中國傳統審美中的「意境之美」。
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冰裂開片：釉面分佈細密開片紋，紋路深淺不一，形似冰裂，觸之光滑卻可見層次，為器物增添歲月沉澱的古樸質感，是鈞瓷「缺陷美」的經典表現。
【歷史背景與文化意涵】
鈞窯始燒於唐代，鼎盛於宋代，元代延續其燒造傳統並形成規模化生產。本品作為元代鈞窯民窯精品，承襲了宋代鈞瓷的工藝精髓，又融入元代粗放灑脫的審美特點，是研究中國陶瓷史、元代社會生活與手工業發展的重要實物資料。雙系罐的器型源於民間實用器皿，卻因鈞窯獨特的釉色工藝，從「日用之器」昇華為「藝術之珍」，見證了中國古代工匠將實用技術與審美追求完美結合的智慧。
【收藏價值與陳設建議】
1.收藏價值
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稀缺性：元代鈞窯器物存世量有限，雙系罐完整保存至今，釉色艷麗、窯變自然，屬同類藏品中的佼佼者。
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藝術性：作為東方陶瓷「窯變藝術」的典範，其色彩變化與線條美感具有不可複製性，是東方審美體系中「自然天成」理念的生動體現。
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傳承意義：承載中國千年陶瓷文化基因，適合資深藏家、東方藝術愛好者或博物館級收藏，兼具研究、欣賞與投資價值。
2.陳設與保養
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陳設建議：可作為書房、客廳陳設重點，搭配原木底座或絲絨展架，突出其古樸雅致之氣；亦可與宋代青瓷、元代青花等器物組合展示，構建東方古典藝術氛圍。
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保養須知：避免劇烈碰撞，防止釉面磨損；置於乾燥通風處，避免陽光直射或潮濕環境；清潔時用軟布輕拭，勿使用化學清潔劑。
【為何選擇本品】
這件元鈞窯雙系罐，不僅是一件古董器物，更是流動的中國陶瓷史——它承載著宋代的雅致，元代的豪放，以及鈞窯工匠對「自然之美」的無限追求。每一道窯變斑塊，每一寸開片紋路，都是八百年前火與土的對話，是東方文明獨有的審美密碼。對於真正懂得欣賞東方藝術的藏家而言，它是跨越時空的文化使者，更是傳世永存的藝術瑰寶。
備註：本品為古董收藏級器物，釉面開片與窯變均為自然形成，個體差異屬正常現象，詳細尺寸與品相以實物為準。
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