Song Dynasty Yaozhou Kiln Celadon Bowl with Carved Chrysanthemum Patterns | A Classic of Song Dynasty Famous Kiln Celadon and a Millennium-Old Ceramic Art Treasure
[Overview of the Collection]
This item is a classic piece from the Song Dynasty Yaozhou Kiln – a celadon bowl with carved chrysanthemum patterns. It inherits the peak craftsmanship of northern celadon and combines practicality with aesthetics. The bowl has a regular and elegant shape, with celadon glaze applied both inside and outside. The glaze color is as gentle and smooth as jade. On the bowl center and inner wall, chrysanthemum patterns are presented with sharp and smooth carving techniques. The lines vary in depth, showing distinct layers, fully demonstrating the Song Dynasty literati’s admiration and pursuit of the beauty of nature. As a representative artifact of the Yaozhou Kiln among the six major kiln systems of the Song Dynasty, this bowl carries the essence of a millennium of ceramic art and is a precious witness to the collection of Oriental antiques and cultural inheritance.
[Craftsmanship Analysis: The Soul of Yaozhou Kiln Celadon]
1. The Essence of Song Dynasty Yaozhou Kiln Craftsmanship
The Yaozhou Kiln was a representative of northern celadon in the Song Dynasty, famous for its “sharp carving and verdant glaze color” worldwide. This bowl adopts the typical “half – knife clay” carving technique of the Song Dynasty Yaozhou Kiln. The craftsmen used the knife as a pen, making deep oblique cuts on the porcelain body, creating a three – dimensional effect with uneven edges of the patterns. After high – temperature firing in the kiln, the glaze color in the carved grooves is deep, while that on the raised parts is bright, forming a visual rhythm of light and dark contrast, which showcases the Song Dynasty ceramic craftsmanship of “being as skillful as casting gold and as delicate as carving jade”.
2. The Color and Texture of the Celadon Glaze
The bowl is covered with celadon glaze, which has a uniform and delicate surface. After a millennium of time, it presents a gentle greenish – blue tone. The glaze luster is subtle and restrained, and it feels as smooth as jade when touched. The glaze layer is evenly thick, and under the light, the carved patterns flow with the light and shadow, fully showing the classic characteristics of celadon of “resembling ice and jade”, making it a paradigmatic work of Song Dynasty celadon aesthetics.
[Design Highlights: The Song Dynasty Charm of Chrysanthemum Patterns]
1. The Symbolism and Layout of the Patterns
The inner wall of the bowl takes chrysanthemums as the main pattern. As one of the “Four Gentlemen” loved by the Song Dynasty literati, chrysanthemums symbolize nobility, elegance, and good luck. The carved chrysanthemums radiate outward from the center of the bowl. The petal lines are smooth and powerful, and the veins are clearly visible. The outer periphery is decorated with fretwork patterns or lotus petal patterns as borders. The overall layout is well – proportioned, showing both the vitality of nature and the traditional aesthetics of symmetry and harmony.
2. The Elegant and Sturdy Shape of the Vessel
The rim of the bowl is slightly flared, with an arc – shaped wall and a deep belly. The small and regular ring foot adds to its overall sturdiness yet maintains a sense of agility. The lines of the rim are round and gentle, the arc of the belly is natural and smooth, and the ring foot is finely trimmed. The exposed part of the body reveals a solid and fine texture, which reflects the strict standards of Song Dynasty porcelain – making of “roundness, straightness, smoothness, and polish”.
[Historical Value: A Cultural Carrier of Millennium – Old Inheritance]
The Yaozhou Kiln started firing in the Tang Dynasty and reached its peak in the Song Dynasty. It was listed among the “Six Major Kiln Systems” of the Song Dynasty. With its exquisite carving craftsmanship and verdant glaze color, it became the leader of northern celadon and once produced tribute porcelain for the imperial court. As a work from the mature period of the Song Dynasty Yaozhou Kiln, this bowl comprehensively reflects the peak level of porcelain – making technology at that time. It is not only a practical utensil but also a material carrier of the Song Dynasty’s social culture, aesthetic taste, and craftsmanship spirit, with extremely high historical, artistic, and collection value.
[Collection and Display Suggestions]
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Collection Value: The Song Dynasty Yaozhou Kiln celadon has a limited quantity in existence, and the carved masterpieces are particularly precious. This bowl has clear patterns and a well – preserved glaze color, making it an ideal choice in the field of Oriental antique collection, combining cultural inheritance and investment potential.
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Display Method: It is recommended to display it on a dark – colored antique shelf or in a museum – style display case, with soft warm lighting to highlight the gentle luster of the celadon glaze and the three – dimensional sense of the carved patterns, creating a classical and elegant Oriental art atmosphere.
[Collection Description]
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Era: Song Dynasty
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Kiln: Yaozhou Kiln
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Craftsmanship: Celadon glaze carving
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Pattern: Chrysanthemum pattern
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Remarks: This is an antique collection. After a millennium of time, the glaze surface and body are well – preserved, with natural aging marks visible in some parts, which are unique historical imprints bestowed by time.
VirtuCasa Oriental Collection | Let the Millennium – Old Oriental Art Enter Your Collection Hall This is an antique collection, not a practical utensil. It is recommended to store it in a professional collection environment, avoiding humidity, high temperature, and severe collisions.
宋代耀州窑青釉刻花菊花碗｜宋代名窑青瓷典范 千年陶瓷艺术瑰宝
【藏品概述】
本品为宋代耀州窑经典之作——青釉刻花菊花碗，传承北方青瓷巅峰工艺，集实用与美学于一体。碗形规整雅致，内外施青釉，釉色温润如玉，碗心及内壁以犀利流畅的刻花技法呈现菊花纹饰，线条深浅有致，层次分明，尽显宋代文人雅士对自然之美的崇尚与追求。作为宋代六大窑系中耀州窑的代表性器物，此碗承载着千年陶瓷艺术的精髓，是东方古董收藏与文化传承的珍贵见证。
【工艺解析：耀州窑青瓷之魂】
1. 宋代耀州窑工艺精髓
耀州窑为宋代北方青瓷代表，以”刻花犀利、釉色青翠”闻名于世。本品采用宋代耀州窑典型的”半刀泥”刻花技法，工匠以刀代笔，在瓷胎上斜刀深刻，使纹饰边缘形成高低错落的立体效果，入窑高温烧制后，刻花凹槽处釉色深沉，凸起处釉色清亮，形成明暗对比的视觉韵律，展现出宋代陶瓷”巧如范金，精比琢玉”的工艺水准。
2. 青釉色泽与质感
碗身施青釉，釉面匀净细腻，经千年岁月沉淀，呈现出温润的青绿色调，釉光含蓄内敛，抚之如玉般光滑。釉层厚薄均匀，在光线照射下，刻花纹饰随光影流动，尽显青瓷”类冰似玉”的经典特质，是宋代青瓷美学的典范之作。
【设计亮点：菊花纹的宋代意趣】
1. 纹饰寓意与布局
碗内壁以菊花为主题纹饰，菊花作为宋代文人喜爱的”四君子”之一，象征高洁、清雅与吉祥。刻花菊花以碗心为中心，呈放射状向外舒展，花瓣线条流畅有力，叶脉清晰可见，外围辅以回纹或莲瓣纹作边饰，整体布局疏密有致，既展现自然生机，又暗含对称和谐的传统美学。
2. 器形端庄典雅
碗口微撇，弧壁深腹，圈足小巧规整，整体造型端庄稳重yet不失灵动。口沿线条圆润柔和，腹部弧度自然流畅，圈足修胎精细，露胎处可见坚实细密的胎质，体现宋代制瓷”圆、正、光、滑”的严谨标准。
【历史价值：千年传承的文化载体】
耀州窑始烧于唐代，盛于宋代，位列宋代”六大窑系”，以其精湛的刻花工艺与青翠釉色成为北方青瓷的翘楚，曾为宫廷烧造贡瓷。本品作为宋代耀州窑成熟期的作品，集中体现了当时制瓷技术的巅峰水平，不仅是实用器皿，更是宋代社会文化、审美情趣与工匠精神的物质载体，具有极高的历史、艺术与收藏价值。
【收藏与陈列建议】
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收藏价值：宋代耀州窑青瓷存世量有限，刻花精品尤为珍贵，本品纹饰清晰、釉色完好，是东方古董收藏领域的理想之选，兼具文化传承与投资潜力。
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陈列方式：建议搭配深色博古架或博物馆式展柜，辅以柔和暖光照明，突出青釉的温润光泽与刻花的立体层次感，营造古典雅致的东方艺术氛围。
【藏品说明】
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年代：宋代
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窑口：耀州窑
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工艺：青釉刻花
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纹饰：菊花纹
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备注：古董藏品，历经千年岁月，釉面及胎体保存完好，局部可见自然老化痕迹，为岁月赋予的独特历史印记。
VirtuCasa东方收藏｜让千年东方艺术，走进您的收藏殿堂 本品为古董收藏品，非实用器皿，建议专业收藏环境下保存，避免潮湿、高温及剧烈碰撞。
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